MAD MAX FURY ROAD FREE MOVIES MOVIE
Envisaged at one point as an Akira-style anime, this graphic-novel-inflected chase movie (co-written with British graphic-novelist/designer Brendan McCarthy and veteran Grease Rat/dramaturge Nico Lathouris) eschews dialogue in favour of explosive demonstration, the versatile “Edge Arm” camera system – a swooping vehicle-mounted crane – providing a visual sword that cuts a defining swath through the narrative. Yet while Bay’s CG-driven oeuvre has always lacked weight and substance, there’s a crunchy physicality about Miller’s balletic visual aesthetic – a belief that actions really do speak louder than words. While the first Mad Max was essentially a stripped-down Roger Corman revenge movie (high on concept, low on budget), this head-banging $150m fourth instalment – part (non)sequel, part reinvention – inclines more toward the retina-scorching, eardrum-bashing territory of Michael Bay, the casting of pouty Transformers: Dark of the Moon star Rosie Huntington-Whiteley as The Splendid Angharad setting talismanic alarm bells ringing. En route, they encounter an array of variously hairy stilt-walking, motorbiking, chainsawing crazies, suggesting that a militarised wing of the French circus troupe Archaos has escaped into the desert and gone feral. Their cargo is a highly combustible cocktail of petrol and pregnancy, Joe’s enslaved wives (dressed in diaphanous floaties and One Million Years BC haute couture) making a bid for freedom from his breeding farm. Teaming up with renegade War Rig trucker Imperator Furiosa (Charlize Theron, sporting an Alien3-era Ripley crop), Max and co strike out in search of “the Green Place” – a mystical land of mothers, a lush riposte to Waterworld’s elusive “DryLand”.
This is a world in which water, oil and ammunition are currency, with a sideline in “mother’s milk” pumped from steam-punk contraptions that cross Terry Gilliam with Tinto Brass. Tom Hardy is Max Rockatansky, chased and imprisoned by the vampiric War Boys of Immortan Joe (one-time Toecutter Hugh Keays-Byrne), bolted into a post-Bane face mask and used as a human blood bag. Mad Max’s Nicholas Hoult on hanging off lorries and channeling Andrex puppies Make no mistake, this is not a film of light and shade – it is an orgy of loud and louder, leaving us alternately exhilarated, exasperated and exhausted. Add to this Finnish Eurovision winners Lordi’s wardrobe and a shooting/editing style designed to make you feel like you’ve been run over while being shouted at, and this insane post-apocalyptic pile-up runs little risk of understatement. Hell, we even get sonic assault vehicles armed with drummers, speaker stacks and a mutant axe-man wielding an Ace Frehley-style guitar-slash-flamethrower. Watching Mad Max: Fury Road is the cinematic equivalent of putting your head in the bass-bin at a death-metal concert where everything is turned up to eleventy-stupid. It’s clearly struck a chord with George Miller as he reboots his low-budget 1979 road-warrior hit with more money, more trucks, and much more noise.
MAD MAX FURY ROAD FREE MOVIES FULL
You can read the full excerpt from Buchanan’s Blood, Sweat & Chrome: The Wild and True Story of ‘Mad Max: Fury Road over at Vulture.Deep Purple famously asked their sound engineers to make “everything louder than everything else”, a phrase variously adopted by the likes of Motörhead and Meat Loaf to characterise their OTT ethos. I was just staring at you guys!’ That’s how intense it was.”Īnd the rest was history.
“Charlize ran up: ‘Oh my God, Ronna, are you okay?’ I said, ‘I’m fine.
I was looking at them, and they looked so unbelievable together - it was perfect there was no question in my mind that we had done the right thing - and while I was waving goodbye to them, I backed my car into a pole and crashed the side of my car,” Kress told Buchanan. “After the video call, Tom and Charlize and I were in the parking lot. “It was an indescribable, perfect thing.”īut perhaps Kress wasn’t sure how well they gelled until she couldn’t help but get into an automobile accident. “Once we saw them, we just knew,” said casting director Ronna Kress. The two wound up meeting up for a side-by-side video call audition with Miller.
While hocking a loogie on the future controversial star made a huge impression on Miller and company, Tom Hardy didn’t really land the role originated by Mel Gibson until they saw him with Charlize Theron, who went on to play the vengeful, one-armed Furiosa. How intense was the first meeting of Tom Hardy and Charlize Theron for FURY ROAD? Casting director Ronna Kress crashed her car just looking at them (and sent me the evidence) /rsAiVC57Hc
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